Recent ramblings.....

Winter is here and it's so gloomy looking at blue that I decided to do something a bit brighter and warmer for my blog background....makes me want to paint!

Recent days in the studio have seen me exploring hotter and hotter drier landscapes as the cold of an Orange winter sets in! Seems a bit weird calling it an Orange winter but that's what it is......winter in the town of Orange! My desire to travel west into warmer climes always drives me crazy at this time of year and this year, my car broke down delaying the outback trek that I love so much......what to do? I think I'll take a few smaller trips....next week off to Forbes though for a workshop and it's always warmer and drier out there! Maybe I'll just keep driving west.....hmm now that's a thought!

More here

So for a little preview of what I'm painting, here's a sample! I'd love to say it's the finished image but the finished works has a few more marks on it.

And another inspired by Lake Eyre, currently in flood for the second year around.....

 

I've been asked a couple of times lately how I would describe myself as a painter. One person felt I was an impressionist, which is a description I rather like but no sure it fits. The second person told me they had been told by their art teacher that I was a landscape painter which isn't a good description either.

So for the record, I personally describe myself as a contemporary landscape painter. My works are done from 'memory' of landscape, and are not actual places. If they have a place name with them, it is for reference purposes only and to let you know where I was when I gathered the 'feelings of place' that I paint. I prefer to paint 'memories', 'sensations' 'form' 'marks' 'patterns' that come from being in a 'particular place' at a 'particular time' such as sunset and sunrise, my favourite times of day as the gods change over their influence....

My interest lies in the abstract nature of the earth and her patterns, the marks that we all leave behind as we try to change this place and make it bend to our rules, mostly with dire outcomes. I love the terra forming patterns of farmlands especially from above and my works are increasingly becoming aerial landscape patterns.

My palette is drawn from the iron rich soils of Oz, the deep red soils of our outback and the fabulous blue skies above, reflected on the earth and waterways.

I've added a share button so you can share this blog with your friends! Take care through the winter cold months and keep warm! See you out back!

"The Eye of the Eagle"

 "Gorge and engorged" 68 cm x 48 cm Mixed Media on D'Arches

This recent month has seen me hard at work in my studio imagining flying over the deserts of Central Australia as an eagle and then putting this down on paper. I was amazed whilst reading up on eagles and how they see, to learn that they have pentachromatic vision (we have tetrachromatic). Eagles can see ultraviolet and infrared colours - so Wow!

Pondering the complexity of this, I felt that they saw far more brightly than we did and so I pushed a few colours round in Photoshop to see what effects I could get. All this dreaming and fiddling around has led to very colourful exhibition indeed. At first I found it too much but as I settled into it, the paintings burned into my soul and I now feel quite at home with them and their intense colours.

Why eagles and why now? Firstly, recent heatwaves have crossed the country leaving it bare and exposed, dry and parched. Daily reminders of the planet getting hotter, have left me wondering once again about Climate Change; is it real, why does it happen and what does it mean?

I don't have answers to this although I find it extraordinarily fascinating......like most of us I believe.

Australia is the driest and harshest continent on the planet with the most ancient and exposed soils. Millions of years have passed and former mountains have eroded down into floodplains and deserts. These cover over 90 % of Australia. The colours when viewed from a plane, are bright reds, oranges and yellows with tracks and dry river beds crisscrossing the land.

Secondly, I feel, if we could read the land, if we could understand the patterns and their meanings, then just maybe we could learn to live with the earth successfully. We could stop building cities on fertile lands and fields, we could build for temperature and climate changes, we could do things better. It's true we've survived for almost 5 million years but the recent upswing in our skills has hurt the planet more than ever before and now we worry about our own survival as a species for probably the first time ever in our history.

I have painted these paintings from a deep part of myself that yearns for a greener place, a safer place but at the same time is amazed and drawn to the wondrous colours of the earth.

Australia may be the oldest and most exposed place right now, but believe me, it's where other countries are headed over the next few thousands of years as the glaciers dry up and and the mountains erode down to floodplains and deserts. Look at this place, Australia and learn for this is where you are headed. It is not a country that can sustain many more people than it currently does......it is not the lucky country it once was.......and we will need to move whole towns and populations as the heat increases and the desert continues to grow ever larger.

There is no doubt in my mind that human activity here in this 'sacred' place has exacerbated the rate of desertification. The ripping out of whole forests, the ploughing and chemical spraying of large tracks of land, the channeling of water away from floodplains and marshlands continues today despite the warnings written already in our land and able to be seen by the eagles looking for their old hunting grounds.

Try looking at the earth through 'the eye of the eagle'!

The exhibition can be seen at Jayes Gallery in Molong NSW from 5 February to 7 March or online closer to that date.