Just had to make a little video on Arkaroola and why I head out that way! Looking out my window today, I know exactly why I need to leave Orange in winter - aching joints, limpy leg, creaky bones..... the chilly air brings out the worst in us.... and the cold just gets colder every year.... so of course, now I've been home for 5 minutes, I am wanting to turn around and escape again!
So made a little video to pass away the time..... hope you nJoy it!
As well, have been back in the studio as I have a new solo show coming up at Jayes Gallery at Molong..... opens Friday 19 July at 6.30 pm! cyu there?
A sometimes kept diary of an artist's life! What we see, what we do to fill in time other than paint, where we go and what we explore.....I can't always be writing but I do try to keep this alive.....feel free to leave your comments and thoughts...be nice now!
Showing posts with label art. Show all posts
Showing posts with label art. Show all posts
Thursday, June 27, 2013
Wednesday, February 13, 2013
What is 'style', 'palette' and 'subject'?
Obvious? Well no! Apparently not!
I often get the comment, oh you change your style so much! Or 'but this is not the same as your other style!' or even "I like your other style better" ..... hmmm .......
I have been baffled for ages just what people are talking about? And have wandered away bemused... and a little intrigued.
But aha! the penny dropped the other day! It seems many viewers of art don't understand the difference between 'style' 'pallette' and 'subject'...... I guess what is bleeding well obvious to us as painters, eludes the average viewer who look to see some continuity in an artist's work. This can be quite tricky if the painter isn't a realist prone to painting the same subject..... which is the path many painter's stick to!
If like me, the artist paints different subjects in different mediums and with a range of pallettes, then this can leave the viewer caught off guard. So I thought I'd elucidate a bit.....
My 'style' hasn't changed much over the years except to get more complex and layered. I always start with a seemingly chaotic layer of freely applied paint which can use up to three or four different qualities of acrylic paints from transparent to inks, opaques and thick dribbles. Over this, I build up to six layers which make the work more complex but also adds to the depth of the work and helps to define the subject. I developed this style of working from my early love of watercolours which I then translated into acrylics by using watercolour or flow mediums. 90% of my acrylic paintings are created this way, in this style of paint application. I still paint watercolours from time to time, like the one above, but they are single layer works.
My 'subject' matter has however changed over time as I usually wander between 'inner forests' and 'landscapes' - sometimes 'aerial mapping of the land' - and again 90% of my works are on these themes..... however, like all artists, I often get called on to paint other subjects such as portraits, florals, interiors, abstracts.... etc and since I can, I do.....
Then it comes to 'pallette' - and here the fun begins because I love colours - all of them! So I am not inclined to just chose a limited pallette but like to explore all sorts of different colourways and combinations! No wonder the viewer gets worried..... because if they aren't completely observant but just give my art a passing glance, then they would never have studied the way I actually apply my paints hence thinking I have changed my 'style'......
I guess they can be forgiven!
The other confusing thing that a viewer needs to be aware of is that of 'materials' and as an artist, I often paint on paper, canvas, or even can collage papers together to make my own ground...... lately, I have also ventured into having some of my larger and major works editioned onto Italian papers and Indian Silks to add to the mix. These all add to the many differences that one can see in my works and to the confusion. However, I still paint in the same 'style' - the 'style' hasn't changed; the subject, materials, pallette all do though as like a lot of creative people, I get bored.......
Till next time! Joy
I often get the comment, oh you change your style so much! Or 'but this is not the same as your other style!' or even "I like your other style better" ..... hmmm .......
I have been baffled for ages just what people are talking about? And have wandered away bemused... and a little intrigued.
But aha! the penny dropped the other day! It seems many viewers of art don't understand the difference between 'style' 'pallette' and 'subject'...... I guess what is bleeding well obvious to us as painters, eludes the average viewer who look to see some continuity in an artist's work. This can be quite tricky if the painter isn't a realist prone to painting the same subject..... which is the path many painter's stick to!
If like me, the artist paints different subjects in different mediums and with a range of pallettes, then this can leave the viewer caught off guard. So I thought I'd elucidate a bit.....
My 'style' hasn't changed much over the years except to get more complex and layered. I always start with a seemingly chaotic layer of freely applied paint which can use up to three or four different qualities of acrylic paints from transparent to inks, opaques and thick dribbles. Over this, I build up to six layers which make the work more complex but also adds to the depth of the work and helps to define the subject. I developed this style of working from my early love of watercolours which I then translated into acrylics by using watercolour or flow mediums. 90% of my acrylic paintings are created this way, in this style of paint application. I still paint watercolours from time to time, like the one above, but they are single layer works.
My 'subject' matter has however changed over time as I usually wander between 'inner forests' and 'landscapes' - sometimes 'aerial mapping of the land' - and again 90% of my works are on these themes..... however, like all artists, I often get called on to paint other subjects such as portraits, florals, interiors, abstracts.... etc and since I can, I do.....
Then it comes to 'pallette' - and here the fun begins because I love colours - all of them! So I am not inclined to just chose a limited pallette but like to explore all sorts of different colourways and combinations! No wonder the viewer gets worried..... because if they aren't completely observant but just give my art a passing glance, then they would never have studied the way I actually apply my paints hence thinking I have changed my 'style'......
I guess they can be forgiven!
The other confusing thing that a viewer needs to be aware of is that of 'materials' and as an artist, I often paint on paper, canvas, or even can collage papers together to make my own ground...... lately, I have also ventured into having some of my larger and major works editioned onto Italian papers and Indian Silks to add to the mix. These all add to the many differences that one can see in my works and to the confusion. However, I still paint in the same 'style' - the 'style' hasn't changed; the subject, materials, pallette all do though as like a lot of creative people, I get bored.......
Till next time! Joy
Sunday, April 1, 2012
Have we lost our way on this planet?
We have but one home - it's called earth..... and it's an important place because even if we could find a way off, other planets are hardly welcoming.... we still haven't found one nearby that would support life and even if it could, it would taken many generations to build the home we have here.... or did have here.... before we started to pollute and rape the earth.
2012 is surely the year for a wake up call... as we plunder the limited supply of oils, coal, minerals and metals, convert them into rubbish which we then bury back into the ground or worse, throw out to sea, maybe this year we could all take a look at our own consumption and start to think how we might be part of the solution. For me, I have cut down to a pretty simple lifestyle and this year, I am determined to not buy anything I don't absolutely need and to mend things rather than throw away.
My paintings have traditionally been inspired by our beautiful Mother Earth, the wonderful landscapes we live and enjoy and I have found great pleasure over my life creating many paintings, each one completely different to the next. The joy of being able to express myself through art has never left me.
In these later years though, I have found myself wanting to express my concern for the earth and what we are doing to it seemingly with little regard for the future of the generations of human beings to come. Here in Australia, our laws unfortunately were set in place by colonial attitudes to allow the rape and pillage of the landscape by the early settlers and those same laws also now allow us to mine the landscape to its detriment...... most people don't have the time "to give a damn!" esconsced as they are in a cheap luxury lifestyle and kept busy by an aquisitive culture that has made 'money' god.
Today I worked on a painting entitled "LAND / SCARRED" (above) which features the pindan soils of the top end of Western Australia - those luscious reds and purples of iron ore, those sensuous curving hills and there right in the middle I find myself painting a mine site..... it isn't any particular mine site, just one that I designed from the lay of the land on the canvas..... worked up from a number of mine sites that I have seen from the air in my travels. Please feel free to download it and save it as a desktop image if you would like. I doubt if it will ever sell but if I can raise some comment, an eyebrow or make someone out there think, then I have achieved much.
Stop by again soon....
2012 is surely the year for a wake up call... as we plunder the limited supply of oils, coal, minerals and metals, convert them into rubbish which we then bury back into the ground or worse, throw out to sea, maybe this year we could all take a look at our own consumption and start to think how we might be part of the solution. For me, I have cut down to a pretty simple lifestyle and this year, I am determined to not buy anything I don't absolutely need and to mend things rather than throw away.
My paintings have traditionally been inspired by our beautiful Mother Earth, the wonderful landscapes we live and enjoy and I have found great pleasure over my life creating many paintings, each one completely different to the next. The joy of being able to express myself through art has never left me.
In these later years though, I have found myself wanting to express my concern for the earth and what we are doing to it seemingly with little regard for the future of the generations of human beings to come. Here in Australia, our laws unfortunately were set in place by colonial attitudes to allow the rape and pillage of the landscape by the early settlers and those same laws also now allow us to mine the landscape to its detriment...... most people don't have the time "to give a damn!" esconsced as they are in a cheap luxury lifestyle and kept busy by an aquisitive culture that has made 'money' god.
Today I worked on a painting entitled "LAND / SCARRED" (above) which features the pindan soils of the top end of Western Australia - those luscious reds and purples of iron ore, those sensuous curving hills and there right in the middle I find myself painting a mine site..... it isn't any particular mine site, just one that I designed from the lay of the land on the canvas..... worked up from a number of mine sites that I have seen from the air in my travels. Please feel free to download it and save it as a desktop image if you would like. I doubt if it will ever sell but if I can raise some comment, an eyebrow or make someone out there think, then I have achieved much.
Stop by again soon....
Saturday, November 26, 2011
The Joy and Life of being an Artist!
The Year of the Rabbit has left me quite exhausted! There has been so much change, hopping about and so much to do..... so many little ends to tie up, so many decisions to be made and so many new forces to be considered. This last year has left us all a little dazed and I find myself thinking what will the Year of the Dragon bring.
So I am starting early to consider the year ahead. With a very full month ahead of me and an important solo show next April at Aarwun Galleries, it is time I knuckled down to serious work in the studio.But whew! What a year and still some to come.
This morning I was driving, no....cruising along the highway in my comfortable car, looking out over the hills and valleys of this wonderful landscape I live in; abundant growth everywhere and warm sunshine after a week of non-stop rain. I noted that the rivers were full to the brim and wonderful puffy white clouds building up in the bluest of skies overhead. I am always happiest in my car, free as a bird listening to music and cruising the landscape. My heart sings! Or in my studio, paint everywhere.... love getting all messy and seeing what works with what.
I have just had lunch with my dear friend Karrin, wonder woman artist from Lightening Ridge and a true Ehulii woman spirit. She looked marvelous! You can find her art work on her website. We always enjoy sharing together the various stories of our respective lives. True friends are great treasures to be enjoyed while we can so these are special moments when we connect with our soul sisters.
We both are acutely aware of the damage being done to this sacred land we live in and we worry for the delicate deserts and waterways being disturbed by an ever increasing mining presence. It might be that Australia will be uninhabitable in time as awareness of being in touch with the land is eroding in the face of an increasing greed. It is another invasion happening - perhaps the last! I remarked to Karrin that lately it is the aboriginal people that are buying my artworks and not the European descendants. I feel that is a privilege and shows my connection to the land is being recognised by the original land owners. But with it, comes a responsibility: a responsibility to reach out and make others aware of the 'pain' the land is in.
I hope I am up to it. Still Canberra is the place where my next show will be so maybe, just maybe I can make a small contribution to raising consciousness. I certainly hope so! So look out for "LAND /MARKS" in April!
This painting depicts an abandoned homestead block in the western desert.Man has tried for over 200 years now to conquer the inland of Australia but marks such as these home sites left long ago show the harshness of a desert that we still have not learned to live with.
So I am starting early to consider the year ahead. With a very full month ahead of me and an important solo show next April at Aarwun Galleries, it is time I knuckled down to serious work in the studio.But whew! What a year and still some to come.
This morning I was driving, no....cruising along the highway in my comfortable car, looking out over the hills and valleys of this wonderful landscape I live in; abundant growth everywhere and warm sunshine after a week of non-stop rain. I noted that the rivers were full to the brim and wonderful puffy white clouds building up in the bluest of skies overhead. I am always happiest in my car, free as a bird listening to music and cruising the landscape. My heart sings! Or in my studio, paint everywhere.... love getting all messy and seeing what works with what.
I have just had lunch with my dear friend Karrin, wonder woman artist from Lightening Ridge and a true Ehulii woman spirit. She looked marvelous! You can find her art work on her website. We always enjoy sharing together the various stories of our respective lives. True friends are great treasures to be enjoyed while we can so these are special moments when we connect with our soul sisters.
We both are acutely aware of the damage being done to this sacred land we live in and we worry for the delicate deserts and waterways being disturbed by an ever increasing mining presence. It might be that Australia will be uninhabitable in time as awareness of being in touch with the land is eroding in the face of an increasing greed. It is another invasion happening - perhaps the last! I remarked to Karrin that lately it is the aboriginal people that are buying my artworks and not the European descendants. I feel that is a privilege and shows my connection to the land is being recognised by the original land owners. But with it, comes a responsibility: a responsibility to reach out and make others aware of the 'pain' the land is in.
I hope I am up to it. Still Canberra is the place where my next show will be so maybe, just maybe I can make a small contribution to raising consciousness. I certainly hope so! So look out for "LAND /MARKS" in April!
"LAND /MARKS - abandoned" Mixed Media on Paper 52 cmx 70 cm
This painting depicts an abandoned homestead block in the western desert.Man has tried for over 200 years now to conquer the inland of Australia but marks such as these home sites left long ago show the harshness of a desert that we still have not learned to live with.
Monday, October 31, 2011
Forbes Town - what a hoot!
Well, this last week saw some of my works shown at Forbes Town Hall some 150 kms west of Orange where I live. It's always interesting to take your work into another town, especially the smaller towns and see what the exercise brings! I'm not sure about anyone else, but I had a fabulous time..... the people of our Ozzie country towns are really the 'salt of the earth', super friendly and welcoming!
One very special lady I met called Lee wrote a poem about me and she has given me permission to put it here for you also to laugh at enjoy! Lee also liked my hand painted shoes (grand-daughter's art) so much that she was inspired to paint her own..... now that's my sort of person!
The Town Hall is really quite stunning inside with a colonial architecture that reflects our rather British heritage so the show looked quite good in the space provided. One hopes that the Forbes Council learns to encourage the arts further and support the hard work of their local people. Maybe an Arts Prize or an Aquisition from the regular shows that the people of Forbes voluntarily put on.It would be good to see these country councils participate more fully and engage their arts communities by building local collections of Australian art.
So this week, I'm off to Coffs Harbour, a trek of some 800-900 kms north and to the beach! Yay! My paintings will once again go on display only this time at Opal Cove Resort - so let's see if Coffs can come up to Forbes standard! It'll be a challenge!
One very special lady I met called Lee wrote a poem about me and she has given me permission to put it here for you also to laugh at enjoy! Lee also liked my hand painted shoes (grand-daughter's art) so much that she was inspired to paint her own..... now that's my sort of person!
"Limericks de Joy"
To Forbes came this artist extraordinaire,
Environmental from her feet to her hair.
She was surely inspirational,
Her paintings quite sensational,
Yes, Joy, your a lady with flair.
Came this talented artist from Orange,
(which doesn't rhyme with anything)
For her spectacular paintings to bring
All that nature does impart
Painted right from the heart
Glorious colours that make your soul sing.
I have to say, I was wined and dined in style, Pam and Tony made me very very welcome and the last night party! well, what can I say except that 2 days later I am still recovering! Yes Forbes, you are going to be hard to beat!
I had to add a photo of one of the many floral arrangements that the Forbes ladies put around the show....... the colours of our bush flowers are really beautiful aren't they? We all just love those blue gum tips and bright red bottle brushes. I thought this would make a nice painting..... hmmm....
The Town Hall is really quite stunning inside with a colonial architecture that reflects our rather British heritage so the show looked quite good in the space provided. One hopes that the Forbes Council learns to encourage the arts further and support the hard work of their local people. Maybe an Arts Prize or an Aquisition from the regular shows that the people of Forbes voluntarily put on.It would be good to see these country councils participate more fully and engage their arts communities by building local collections of Australian art.
So this week, I'm off to Coffs Harbour, a trek of some 800-900 kms north and to the beach! Yay! My paintings will once again go on display only this time at Opal Cove Resort - so let's see if Coffs can come up to Forbes standard! It'll be a challenge!
Sunday, October 2, 2011
Can't think of a thing to paint? Overcoming the blank mind!
This year has been the most amazing year for me with so many things happening, things to see, journeys to do that I often feel quite saturated and not sure where to start. You all know the feeling: there's either too much going on in your imagination or not quite enough! It's hard sometimes to find that cruisey neutral gear that allows you to roll through the next painting with ease!
Added to the grief of having a mental block, or an avalanche, there's the continual interruptions to one's day / week from a variety of competing concerns / jobs. And so life goes on... so how does one get into the right mindset to just start?
But recently I came across a marvellous creative soul who gives away so much information to us arty farty folks on how to be businesslike and break bad habits. Mark McGuiness of Lateral Action is one of us so he really knows the problems we wild children can have trying to do the adult stuff! His FREE book is available online at http://lateralaction.com/creativeblocks/ and well worth the time to read! Co-author is Marelisa Fabrega.
The Year of the Rabbit has hopped around wildly for me but the lessons I have learned along the way have all helped me to maintain focus, overcome 'painter's block' and keep on that journey towards my 'self'- the 'real me' at the core of my being! I reckon it's been a great year with so much still to do! A wonderful end to the year is looming steadily and I'm sorry, I have to get back to my painting! What about you?
Added to the grief of having a mental block, or an avalanche, there's the continual interruptions to one's day / week from a variety of competing concerns / jobs. And so life goes on... so how does one get into the right mindset to just start?
Some of my tricks are:
To just do it! Get in that darned studio and pick up the brushes!
Look at those shoes your grand-daughter made for you, put them on, dance, jump and run around, get free again! Remember the joy of painting when you were young and unencumbered!
Sometimes the best results come out of sheer frustration and trying something completely new. I like to run with a few new techniques and just throw paint around- see what comes! Here's one I did with a business card instead of a brush - just for fun!
That's all well and good if it's a sunny day and warm outside but what if there's a chill wind blowing....?
I like to promise myself a great cup of coffee from Moshi Moshi with 2 of the nicest young creative people around, Lotti and Dan! After seeing their cheery faces and getting one of Dan's neck rubs, topped up with Toby's (great coffee) I head off cheerfully into the chill wind...
Another is to flick through my photo album and print out a couple of inspirational landscapes- you know the ones that turn you on!
But recently I came across a marvellous creative soul who gives away so much information to us arty farty folks on how to be businesslike and break bad habits. Mark McGuiness of Lateral Action is one of us so he really knows the problems we wild children can have trying to do the adult stuff! His FREE book is available online at http://lateralaction.com/creativeblocks/ and well worth the time to read! Co-author is Marelisa Fabrega.
The Year of the Rabbit has hopped around wildly for me but the lessons I have learned along the way have all helped me to maintain focus, overcome 'painter's block' and keep on that journey towards my 'self'- the 'real me' at the core of my being! I reckon it's been a great year with so much still to do! A wonderful end to the year is looming steadily and I'm sorry, I have to get back to my painting! What about you?
Monday, August 15, 2011
Ruminations of a frustrated artist!
You know the saying "Just do it!" Such wise words, so hard to follow but today I did! I did it!
I think finding this website "The Flinty Hard Road" and reading it made so much sense to me and brought me back to the place where I know I'm not alone..... the arts is a hard career choice.... probably the hardest! I really related to the heading "Fabulously successful, penniless and deranged" particularly the 'deranged' bit!
Lately I've been well, let's say "occupied" but today, I bit the bullet and "just did it!" and boy does it feel good. I went to the studio and prepared all those canvases that have been patiently waiting for me. There they are now, all virginal white, covered in that clean clear pure pristine coat of gesso. They wait for me now to pour forth all my energies onto them..... sigh! What a good day's work!
The weekend saw another exhibition of works open to an assembled throng of art lovers, purveyors of fine art and wine, some really decent and genuine people amongst them..... the wallets remained firmly locked and who can blame them for today's economy sees most people worrying about their retirement plans as their super funds vaporise before their disbelieving eyes. Not so for us artists, we don't have the luxury of retirement plans. We'll be painting until we're blind and hanging around hopefully for a sale.
But we do have the luxury of filling our lives and walls with wonderful art that others can only dream about! Not for us, those dreary prints and commercial crappy decorator pieces, don't they make you cringe!
At least 3 people promised to buy work.... ah that's nice and I remind myself that despite the current downturn this year, I have had some sales and offers that other artists would be glad to have.
So to get into the studio today and back to my virginal white canvases was a joy! My mind started to focus immediately as I imagined the images starting to appear. I could feel the paints calling to me from their tubes to squeeze them and spread them luxuriously across each virgin in turn. Ah what a pleasant day!
It's going to be good year after all! There's so much to do and so much opportunity lying right here at the doorstep.... it reminds me that "everything you need, is right there in front of you!" So watch this space as the year rolls on.....
Here's one that I would like to see painted up into a large work...... hmmm.....
So keep painting out there!
I think finding this website "The Flinty Hard Road" and reading it made so much sense to me and brought me back to the place where I know I'm not alone..... the arts is a hard career choice.... probably the hardest! I really related to the heading "Fabulously successful, penniless and deranged" particularly the 'deranged' bit!
Lately I've been well, let's say "occupied" but today, I bit the bullet and "just did it!" and boy does it feel good. I went to the studio and prepared all those canvases that have been patiently waiting for me. There they are now, all virginal white, covered in that clean clear pure pristine coat of gesso. They wait for me now to pour forth all my energies onto them..... sigh! What a good day's work!
The weekend saw another exhibition of works open to an assembled throng of art lovers, purveyors of fine art and wine, some really decent and genuine people amongst them..... the wallets remained firmly locked and who can blame them for today's economy sees most people worrying about their retirement plans as their super funds vaporise before their disbelieving eyes. Not so for us artists, we don't have the luxury of retirement plans. We'll be painting until we're blind and hanging around hopefully for a sale.
But we do have the luxury of filling our lives and walls with wonderful art that others can only dream about! Not for us, those dreary prints and commercial crappy decorator pieces, don't they make you cringe!
At least 3 people promised to buy work.... ah that's nice and I remind myself that despite the current downturn this year, I have had some sales and offers that other artists would be glad to have.
So to get into the studio today and back to my virginal white canvases was a joy! My mind started to focus immediately as I imagined the images starting to appear. I could feel the paints calling to me from their tubes to squeeze them and spread them luxuriously across each virgin in turn. Ah what a pleasant day!
It's going to be good year after all! There's so much to do and so much opportunity lying right here at the doorstep.... it reminds me that "everything you need, is right there in front of you!" So watch this space as the year rolls on.....
"Flooding of Twin Lakes" Oil on Canvas
Here's one that I would like to see painted up into a large work...... hmmm.....
So keep painting out there!
Friday, May 27, 2011
Recent ramblings.....
Winter is here and it's so gloomy looking at blue that I decided to do something a bit brighter and warmer for my blog background....makes me want to paint!
Recent days in the studio have seen me exploring hotter and hotter drier landscapes as the cold of an Orange winter sets in! Seems a bit weird calling it an Orange winter but that's what it is......winter in the town of Orange! My desire to travel west into warmer climes always drives me crazy at this time of year and this year, my car broke down delaying the outback trek that I love so much......what to do? I think I'll take a few smaller trips....next week off to Forbes though for a workshop and it's always warmer and drier out there! Maybe I'll just keep driving west.....hmm now that's a thought!
So for a little preview of what I'm painting, here's a sample! I'd love to say it's the finished image but the finished works has a few more marks on it.
And another inspired by Lake Eyre, currently in flood for the second year around.....
I've added a share button so you can share this blog with your friends! Take care through the winter cold months and keep warm! See you out back!
Recent days in the studio have seen me exploring hotter and hotter drier landscapes as the cold of an Orange winter sets in! Seems a bit weird calling it an Orange winter but that's what it is......winter in the town of Orange! My desire to travel west into warmer climes always drives me crazy at this time of year and this year, my car broke down delaying the outback trek that I love so much......what to do? I think I'll take a few smaller trips....next week off to Forbes though for a workshop and it's always warmer and drier out there! Maybe I'll just keep driving west.....hmm now that's a thought!
So for a little preview of what I'm painting, here's a sample! I'd love to say it's the finished image but the finished works has a few more marks on it.
And another inspired by Lake Eyre, currently in flood for the second year around.....
I've been asked a couple of times lately how I would describe myself as a painter. One person felt I was an impressionist, which is a description I rather like but no sure it fits. The second person told me they had been told by their art teacher that I was a landscape painter which isn't a good description either.
So for the record, I personally describe myself as a contemporary landscape painter. My works are done from 'memory' of landscape, and are not actual places. If they have a place name with them, it is for reference purposes only and to let you know where I was when I gathered the 'feelings of place' that I paint. I prefer to paint 'memories', 'sensations' 'form' 'marks' 'patterns' that come from being in a 'particular place' at a 'particular time' such as sunset and sunrise, my favourite times of day as the gods change over their influence....
My interest lies in the abstract nature of the earth and her patterns, the marks that we all leave behind as we try to change this place and make it bend to our rules, mostly with dire outcomes. I love the terra forming patterns of farmlands especially from above and my works are increasingly becoming aerial landscape patterns.
My palette is drawn from the iron rich soils of Oz, the deep red soils of our outback and the fabulous blue skies above, reflected on the earth and waterways.
I've added a share button so you can share this blog with your friends! Take care through the winter cold months and keep warm! See you out back!
Tuesday, November 23, 2010
Reminiscing at Year's end!
Well, I've just looked at the date of my last blog and see it's back in the middle of 2010.....which just goes to show how quick this year has passed by. I set out to have a good year and it's definitely been that!
The Survey of my artworks over the last 30 years or so has been hung at the Orange Regional Gallery and opened to a large crowd of the best people I know. It was fantastic to see the different crowd that came to the opening that night. There's a 2 mb video on my website if you want to wait for it load....shows about 1/3 of the show.
With 6 exhibitions behind me this year, I am looking towards hopefully a quieter 2011. This year has been quite strenuous and one has to wonder what sort of perverted amusement one gets from all the pressure. Along with my own shows, I have hung and curated another 10 or so at Jayes in Molong so in many ways I am exhibited out!
There was also the larger than life itself, putting together of CONTEMPORANEA with Jim van Geet which traveled from Melbourne CBD to Canberra over the month of October to November. Jim and I were amazed at the exceptional response we got to our proposal for the Florence Biennale Artists of Australia group which we head up, to exhibit together. We expected about 20 artists to respond but no; 33 artists put their hands up and we ended up with over 100 paintings, all of which were large or really, really large to hang. Argh! But Jim is an amazing man and whilst the whole exercise put me into hospital with a 'stress' attack,. Jim carried on and hung the Melbourne show then packed it and took it to Canberra. Thanks also to all those wonderful artists who pitched in and helped!
You can see my friend and artist, Sibylle Werner here with Good Boy by Gillie and Marc! Good Boy was a great drawcard and brought a variety of responses!
Here we are at the National Gallery testing out the pears!
The Survey of my artworks over the last 30 years or so has been hung at the Orange Regional Gallery and opened to a large crowd of the best people I know. It was fantastic to see the different crowd that came to the opening that night. There's a 2 mb video on my website if you want to wait for it load....shows about 1/3 of the show.
With 6 exhibitions behind me this year, I am looking towards hopefully a quieter 2011. This year has been quite strenuous and one has to wonder what sort of perverted amusement one gets from all the pressure. Along with my own shows, I have hung and curated another 10 or so at Jayes in Molong so in many ways I am exhibited out!
There was also the larger than life itself, putting together of CONTEMPORANEA with Jim van Geet which traveled from Melbourne CBD to Canberra over the month of October to November. Jim and I were amazed at the exceptional response we got to our proposal for the Florence Biennale Artists of Australia group which we head up, to exhibit together. We expected about 20 artists to respond but no; 33 artists put their hands up and we ended up with over 100 paintings, all of which were large or really, really large to hang. Argh! But Jim is an amazing man and whilst the whole exercise put me into hospital with a 'stress' attack,. Jim carried on and hung the Melbourne show then packed it and took it to Canberra. Thanks also to all those wonderful artists who pitched in and helped!
You can see my friend and artist, Sibylle Werner here with Good Boy by Gillie and Marc! Good Boy was a great drawcard and brought a variety of responses!
Here we are at the National Gallery testing out the pears!
All round it's been a great year! Hard, but great! So till next time, break a leg!
Friday, July 30, 2010
Strange New Ideas!
I was wandering in the mind this morning....hmmm...as I often do. The topic I was wandering around was the idea of digital images and the lack of understanding of this new art form here in Oz.
The reason for me wandering off into a maze of thoughts and ideas around this topic was brought about by a conversation with the curator at the gallery in Canberra where I currently have a show. One of the offerings on hand is of course, a digital print otherwise known as a Giclee Reproduction. Now this seems perfectly obvious to me as an extension of my artworks but to the average punter, it is a frightening thing to think that someone can make a copy of a work and then print it in "how many" copies?
The curator was asked whether it was a lithograph? Does the print method make a difference? Lithographs can be reproduced ad-infinitum also and the artist rarely has a hand in making them either.....that is if they are as complicated as the painting I am rendering in a different format. The buyer still needs to trust that the edition is limited as the artist says.
But why are we so afraid of new printing methods here? I felt that perhaps there is a feeling that artists should be keepers of past technologies, masters of secrets long forgotten, the shamans who will bring forth those ideas when a society collapses......hmmm? Is that why here in Oz we are so afraid of the 'new media' or is it a completely philistine lack of knowledge.
When I went to Florence, the biennale had 2500 works there to ponder and amongst them were a great number of artists working in the new media. So prevalent was digital technology that there were works, not only on canvas, but reproduced on paper, aluminum sheets, glass, plastics and polyurethane surfaces and on and on. These were fascinating to look at! They challenged you to look further into the new.......
So for the life of me I can't understand why here we still think that working digitally is something of a fraud; not 'real art' is it?
I hope for the sake of all the artists out here in Oz pushing the boundaries and seeking out the new (which is what I thought artists did?) that the art voyeurs start to look in wonder at some of the wonderful pieces that new technologies are allowing us artists to pursue! They are artworks just the same as the old and true!
Anyway I feel better now, do you?
The reason for me wandering off into a maze of thoughts and ideas around this topic was brought about by a conversation with the curator at the gallery in Canberra where I currently have a show. One of the offerings on hand is of course, a digital print otherwise known as a Giclee Reproduction. Now this seems perfectly obvious to me as an extension of my artworks but to the average punter, it is a frightening thing to think that someone can make a copy of a work and then print it in "how many" copies?
The curator was asked whether it was a lithograph? Does the print method make a difference? Lithographs can be reproduced ad-infinitum also and the artist rarely has a hand in making them either.....that is if they are as complicated as the painting I am rendering in a different format. The buyer still needs to trust that the edition is limited as the artist says.
But why are we so afraid of new printing methods here? I felt that perhaps there is a feeling that artists should be keepers of past technologies, masters of secrets long forgotten, the shamans who will bring forth those ideas when a society collapses......hmmm? Is that why here in Oz we are so afraid of the 'new media' or is it a completely philistine lack of knowledge.
When I went to Florence, the biennale had 2500 works there to ponder and amongst them were a great number of artists working in the new media. So prevalent was digital technology that there were works, not only on canvas, but reproduced on paper, aluminum sheets, glass, plastics and polyurethane surfaces and on and on. These were fascinating to look at! They challenged you to look further into the new.......
So for the life of me I can't understand why here we still think that working digitally is something of a fraud; not 'real art' is it?
I hope for the sake of all the artists out here in Oz pushing the boundaries and seeking out the new (which is what I thought artists did?) that the art voyeurs start to look in wonder at some of the wonderful pieces that new technologies are allowing us artists to pursue! They are artworks just the same as the old and true!
Anyway I feel better now, do you?
Monday, July 26, 2010
Review of Canberra Show
Sarina Locke from the ABC opened the show last Saturday night! Here's Bob (Director), Sarina and Joy (me!) All round a great success!
How to get FREE press!
Ever wondered how some people always seem to manage to get those good stories written about them? On the road to Canberra the other day, this question was brought home to me loudly and clearly!
I was able to drop in to see a little gallery in a tidy and friendly village where I regularly stop for decidedly yummy apricot slice and creamy coffee! Today, the gallery was open, so having a bit of time to spare and being the super sleuth that I imagine myself to be, I popped in.
A pleasant enough woman stood at the counter and engaged me in conversation. Bright with curiosity, she asked me where I came from, so with my writer's hat on, I whipped out my business card and told her I was in search of stories and would like to perhaps write the gallery up on my blog.
With hardly a glance at the card, the blinds came down and the shutters went up and in a stern voice, I was informed that the gallery didn't advertise and wasn't interested. No, I couldn't take a photo as I might steal someone's copyright, etc blah blah blah.....
After getting off my left foot which had mysteriously become glued to the floor, I managed to assure her that I wasn't there to sell her anything, that I really was trying to familiarise myself with the local arts goings on.
After a rather awkward and lengthy round of general questions about the gallery, I was finally allowed to take a photo and I beat a hasty retreat to the safety of my car. As I drove down the road, I composed a nice positive story about the gallery and the work I had seen but my gut instincts and over-riding emotions won out and this is the story that has demanded to come forth - so just a few words for those of you who have ever wondered "How come some people get all the press?"
1: ATTITUDE
When someone approaches your gallery, shop, studio and hands you a business card, do take some time to actually read the card and understand 'why' they are there. A friendly smile and co-operation on some level cannot hurt; a warm hand-shake, a cuppa offered, a question or two about the person all would lighten and brighten everyone's day and make a good impression of you and your space.
2: AN UNDERSTANDING OF THE ENGLISH LANGUAGE
I for the life of me can't understand why someone can't see the difference between the words "editor" and "sales" - my business card clearly states "arts editor" - now in my world that means a person who writes stories - and that is an opportunity!
Taking me off at the knee just in case I ram an advertising schedule down your reluctant throat, doesn't help to advance your story.
3: INFORMATION SHARING
Some people have a press ready file available with current stories, recent press clippings, photos that can be used in both digital and print format available at all times just in case an opportunity arises - think about putting one together today, duplicate x 3 or 4 copies, hand it out with a generous heart before you leap into aggressive and assertive action to oust the 'intruder'!
4: LOOKS ARE DECEIVING
Now it may be that 'madam of the gallery' didn't like the look of me. I am quite an imposing woman at 6 feet tall. I can cut quite a ludicrous site to the more conservative of us with my colourful Zandra Rhodes hair and jeans that are worn at the hems, not quite right for a woman of my age I am sure some must exclaim! But I am who I am and as I am comfortable with that, then to meet with a disapproving stare and judgmental glance of 'madam director' was a clear indication to an artist and arts writer that indeed this was not a creative space.
For the most part, galleries are fun filled, laughter enclosed spaces where people are free to express themselves as they look at and are intrigued by the freedom of expression and abundant views of the artists represented.
My advice is, if you accidentally stumble into a conservative space and are met with the type of reception I got, then turn and run for yur life as quickly as you can.
The gallery will remain anonymous, the experience will never be forgotten. Unfortunately the artists represented, although on the safe and conservative side, were quite affordable and collectible but their stories are safely being guarded by 'madam director' - some people should never have made the 'tree-change'!
I was able to drop in to see a little gallery in a tidy and friendly village where I regularly stop for decidedly yummy apricot slice and creamy coffee! Today, the gallery was open, so having a bit of time to spare and being the super sleuth that I imagine myself to be, I popped in.
A pleasant enough woman stood at the counter and engaged me in conversation. Bright with curiosity, she asked me where I came from, so with my writer's hat on, I whipped out my business card and told her I was in search of stories and would like to perhaps write the gallery up on my blog.
With hardly a glance at the card, the blinds came down and the shutters went up and in a stern voice, I was informed that the gallery didn't advertise and wasn't interested. No, I couldn't take a photo as I might steal someone's copyright, etc blah blah blah.....
After getting off my left foot which had mysteriously become glued to the floor, I managed to assure her that I wasn't there to sell her anything, that I really was trying to familiarise myself with the local arts goings on.
After a rather awkward and lengthy round of general questions about the gallery, I was finally allowed to take a photo and I beat a hasty retreat to the safety of my car. As I drove down the road, I composed a nice positive story about the gallery and the work I had seen but my gut instincts and over-riding emotions won out and this is the story that has demanded to come forth - so just a few words for those of you who have ever wondered "How come some people get all the press?"
1: ATTITUDE
When someone approaches your gallery, shop, studio and hands you a business card, do take some time to actually read the card and understand 'why' they are there. A friendly smile and co-operation on some level cannot hurt; a warm hand-shake, a cuppa offered, a question or two about the person all would lighten and brighten everyone's day and make a good impression of you and your space.
2: AN UNDERSTANDING OF THE ENGLISH LANGUAGE
I for the life of me can't understand why someone can't see the difference between the words "editor" and "sales" - my business card clearly states "arts editor" - now in my world that means a person who writes stories - and that is an opportunity!
Taking me off at the knee just in case I ram an advertising schedule down your reluctant throat, doesn't help to advance your story.
3: INFORMATION SHARING
Some people have a press ready file available with current stories, recent press clippings, photos that can be used in both digital and print format available at all times just in case an opportunity arises - think about putting one together today, duplicate x 3 or 4 copies, hand it out with a generous heart before you leap into aggressive and assertive action to oust the 'intruder'!
4: LOOKS ARE DECEIVING
Now it may be that 'madam of the gallery' didn't like the look of me. I am quite an imposing woman at 6 feet tall. I can cut quite a ludicrous site to the more conservative of us with my colourful Zandra Rhodes hair and jeans that are worn at the hems, not quite right for a woman of my age I am sure some must exclaim! But I am who I am and as I am comfortable with that, then to meet with a disapproving stare and judgmental glance of 'madam director' was a clear indication to an artist and arts writer that indeed this was not a creative space.
For the most part, galleries are fun filled, laughter enclosed spaces where people are free to express themselves as they look at and are intrigued by the freedom of expression and abundant views of the artists represented.
My advice is, if you accidentally stumble into a conservative space and are met with the type of reception I got, then turn and run for yur life as quickly as you can.
The gallery will remain anonymous, the experience will never be forgotten. Unfortunately the artists represented, although on the safe and conservative side, were quite affordable and collectible but their stories are safely being guarded by 'madam director' - some people should never have made the 'tree-change'!
Friday, May 14, 2010
New adventure - oh Joyous!
Well hi,
It always seems a little weird, sitting here at my desk, pondering the outside world......they tell me that computers make you antisocial......not sure whether that's right in my case as I seem to get about a fair bit......yep, even at my age!
Just lately, I've taken up the new role of arts editor for Style Magazine......"the essential lifestyle guide for rural and regional NSW". And just this week, the first edition came out with my glamour shot, editorial and feature article in it! Couldn't be more thrilled really.....amazing what glossy white paper and crisp clean print can do for one's words. I have cleaned up OK for the photo.....am amazed at how good Diana's photography is. Either that or she has a fabulous camera that should be gold plated!
See what I mean! Hmmm! This is going to be a good journey for me, I feel it in my bones! And it's always good to be able to write about the thing that inspires you the most in life and for me that would be the arts! All those wonderful images and objects that people create...there's always something new to look at, wonder about or trigger something deep!
So anyway, the adventure begins.....who would of thought that at my age I'd start yet another new journey and one that will inspire me to grow more! Life just gets better!
Joy
It always seems a little weird, sitting here at my desk, pondering the outside world......they tell me that computers make you antisocial......not sure whether that's right in my case as I seem to get about a fair bit......yep, even at my age!
Just lately, I've taken up the new role of arts editor for Style Magazine......"the essential lifestyle guide for rural and regional NSW". And just this week, the first edition came out with my glamour shot, editorial and feature article in it! Couldn't be more thrilled really.....amazing what glossy white paper and crisp clean print can do for one's words. I have cleaned up OK for the photo.....am amazed at how good Diana's photography is. Either that or she has a fabulous camera that should be gold plated!
See what I mean! Hmmm! This is going to be a good journey for me, I feel it in my bones! And it's always good to be able to write about the thing that inspires you the most in life and for me that would be the arts! All those wonderful images and objects that people create...there's always something new to look at, wonder about or trigger something deep!
So anyway, the adventure begins.....who would of thought that at my age I'd start yet another new journey and one that will inspire me to grow more! Life just gets better!
Joy
Tuesday, February 2, 2010
Early Morning Australia
I don't know why but I just had to get out of bed at sparrow's fart this morning and head off for a walk/stumble in the bush. Of course, my fave spot of the moment is Gosling Creek. So off I went.
I think it was the fact that for the first time in a while, we had clouds in the sky, a promise maybe of rain but certainly of a colourful sunrise. Clean crisp and cool air.....not to be wasted I felt! The recent heat has made me very thankful for the early breeze of morning.
And there's always the beauty of watching nature paint the early morning sky.....that blend of colours, that big soft water colour, an amazing thing to watch and for me, it had been too long since I had gone out and appreciate the sunrise and bird songs.
And there's the other thing, nature painting the trees as the sun rises, the way the light captures the beauty of the branches and the eternal clear light of Australia. It's a beautiful place, inspiring and ancient.
Although out of focus, an effect I rather like as it reminds me of a soft water colour work, the light and colours of the early morning amongst our trees is always wonderful to catch.
Well, this week has seen the last of the paintings for my next show at Jayes and I am glad to be able to rest again at last. The year ahead is quite daunting with 6 shows, 2 of them overseas and 2 in major cities......it'll be a big year! As well, I am hoping to catch a trip outback......whew!
But bring it on! One day at a time and I'll be there!
Hope you have a great day painting and being inspired. Do stop and smell the roses or at least take a break and look out at the world in wonder.
Tuesday, December 8, 2009
Thinking about 2009 and beyond as the bushfires burn.....
Waking up this morning to yet another extreme day (temps will be over 35 again) and with the smell of a distant bushfire in the air, I can't help wondering how Copenhagen talks re Climate Change will work out. My thoughts also wander to my grandchildren and I wonder what the planet will be like for them.
Over recent years, my serious art has depicted climate change (scroll down page to see "Spirit of the Land) and the drying of the Australian landscape. Indeed, I thought it important enugh as a subject to take it to Florence and there I was awarded a prize. But I wonder if it was because the judges saw the artworks as being relevant to today or was it the techniques I use to dribble and layer and colour the paintings. Did anyone even notice that my painting was a statement on what is happening to our beloved 'earth'. I know Charlotte Lugt got the message and was very excited that an artist would paint about the climate.
Those paintings glow out from the walls at you eerily, they're hot and dry and parched......they warn you of impending heat and fire; not unlike waking today and smelling smoke from fires close by. The acrid eucalypt smell pervades my room and brings back memories of fires seen over my lifetime.
Australia is hotter now than I ever remember, certainly dryer now in this area than I have known it to be. And with summer only one week in, I wonder how we will cope. My mother used to say "like mad dogs and Englishmen, standing out in the hot day's sun!" and that is what we have become. I am personally thankful that I can arrange my day around the midday heat but when are we going to introduce a siesta for Australia to help people who work through the heat.
I attended a rural women's conference recently to hear of what changes need to be made on our farms to cope with the continuing upward climb of temperatures. Hotter and wetter summers for this area, dryer and frostier winters.....different grasses, new ways of growing crops. All food for thought. At least there is a dialogue going on. I am reminded of how adaptable humans are. I wonder if we are governed now by money and regulations to the point where we can't change though. While people are flexible and adaptable, banks and governments aren't.
Our Prime Minister is off trotting around the globe to his conferences. Today they talk about Climate Change in Copenhagen and how to offset carbons in the environment. One wonders if he wouldn't be better off at home planting a tree or two instead. Carbon credits are basically now another commodity for the big banks to trade and the rich to get richer on. On the ground, there is little being done......reafforestation, replanting back native pastures and scrub lands, rebuilding wetlands and protecting species are all off the agenda as 'they' talk about how to keep the money flowing and stay with coal trading etc. Surely we need to be talking about new energy sources such as wind power and solar power and how to get them replacing coal as quickly as possible.
I continue to paint away in my studio; I continue to read Peter Andrews and his book "Back from the Brink"; I continue to live my rather simple life and downsize where I can and I continue to be intrigued by a planet that will survive long after 'humans' are extinct and I wonder what the 'new' species will be like.......hmmmm maybe I'll paint them!
Over recent years, my serious art has depicted climate change (scroll down page to see "Spirit of the Land) and the drying of the Australian landscape. Indeed, I thought it important enugh as a subject to take it to Florence and there I was awarded a prize. But I wonder if it was because the judges saw the artworks as being relevant to today or was it the techniques I use to dribble and layer and colour the paintings. Did anyone even notice that my painting was a statement on what is happening to our beloved 'earth'. I know Charlotte Lugt got the message and was very excited that an artist would paint about the climate.
Those paintings glow out from the walls at you eerily, they're hot and dry and parched......they warn you of impending heat and fire; not unlike waking today and smelling smoke from fires close by. The acrid eucalypt smell pervades my room and brings back memories of fires seen over my lifetime.
Australia is hotter now than I ever remember, certainly dryer now in this area than I have known it to be. And with summer only one week in, I wonder how we will cope. My mother used to say "like mad dogs and Englishmen, standing out in the hot day's sun!" and that is what we have become. I am personally thankful that I can arrange my day around the midday heat but when are we going to introduce a siesta for Australia to help people who work through the heat.
I attended a rural women's conference recently to hear of what changes need to be made on our farms to cope with the continuing upward climb of temperatures. Hotter and wetter summers for this area, dryer and frostier winters.....different grasses, new ways of growing crops. All food for thought. At least there is a dialogue going on. I am reminded of how adaptable humans are. I wonder if we are governed now by money and regulations to the point where we can't change though. While people are flexible and adaptable, banks and governments aren't.
Our Prime Minister is off trotting around the globe to his conferences. Today they talk about Climate Change in Copenhagen and how to offset carbons in the environment. One wonders if he wouldn't be better off at home planting a tree or two instead. Carbon credits are basically now another commodity for the big banks to trade and the rich to get richer on. On the ground, there is little being done......reafforestation, replanting back native pastures and scrub lands, rebuilding wetlands and protecting species are all off the agenda as 'they' talk about how to keep the money flowing and stay with coal trading etc. Surely we need to be talking about new energy sources such as wind power and solar power and how to get them replacing coal as quickly as possible.
I continue to paint away in my studio; I continue to read Peter Andrews and his book "Back from the Brink"; I continue to live my rather simple life and downsize where I can and I continue to be intrigued by a planet that will survive long after 'humans' are extinct and I wonder what the 'new' species will be like.......hmmmm maybe I'll paint them!
Tuesday, October 6, 2009
Birthday Week!
Well, I went out and had a little walk again this morning....nothing fancy....tried another stumble / shuffle that I think is a run along the path...it's a beautiful spot, the sun is shining and look what I found.....
This little Aussie Pea Flower is called Hardenbergia and at this time of the year can be found in abundance throughout the bush.....just lovely! It'll make a nice Aussie card.....hmmm!
Then went out to the Orange Highland Gardens to measure up the first sculptures to arrive for "Sculptures in the Garden". This is our latest event to be organised and is a new event for the area. Over 14 sculptors will be exhibited with over 26 sculptures....we are really happy as this is the first time for this event!
It's a beautiful outlook from the gardens across the valley to old man Canobolas....love the way the chair reflects the shape and blue of the mount behind it.....nice balance.....I wonder if this was placed here on purpose?
I find one of Norman Organ's emus as I stroll about! They're terrific! Can't wait to see them this weekend in all sizes!
It's fun and warm hearted art isn't it? The work from Suvira McDonald from Byron Bay is very very good.....2 lovely pieces called Citadel that I could definitely live with....this is promising to be an excellent show....hope the weather holds!
And last but not least, this is a brush I bought myself for my birthday! Found it in Raw Canvas for only $14.95! So all you budding artists, get down and see Raw Canvas and buy one! They are great for watercolour paintings!
I have to say my birthday week has been a good one.....tiring in many ways, but happy and quiet as well.....plenty of time to start to catch up on things like my online diary!
Hope to hear from you all soon!
Wednesday, April 15, 2009
Easter Breakdown.......or was that breakout?
Well I don't know about you, my friends, but Easter was just lurverly......I took myself to Sydney and looked after my 2 grand children.....what a hoot! but boy oh boy, am I paying for it now.....
The energy of the young is so fantastic! A continuous thread of high power, loud and bright noise that almost reaches the white point in your brain after just a few hours......still, for a gran, I think I did pretty well.
I did manage, amongst the melee, to grab a shot or two of that over the top and bright muralised room that Josie wanted......it took 3 long days over last Christmas to complete and will be due for renovating shortly......I think it would completely over power me but she seems to be happy with it.....so here's a shot for you to ponder.....


ah life is grand but today, I'm feeling a bit slow so here's hoping that you are all well and fine and painting along....selling as well....it's always good when someone else likes your work too.....
Time to focus on the good things in life....food....and off to the markets so I don't completly starve!
The energy of the young is so fantastic! A continuous thread of high power, loud and bright noise that almost reaches the white point in your brain after just a few hours......still, for a gran, I think I did pretty well.
I did manage, amongst the melee, to grab a shot or two of that over the top and bright muralised room that Josie wanted......it took 3 long days over last Christmas to complete and will be due for renovating shortly......I think it would completely over power me but she seems to be happy with it.....so here's a shot for you to ponder.....


ah life is grand but today, I'm feeling a bit slow so here's hoping that you are all well and fine and painting along....selling as well....it's always good when someone else likes your work too.....
Time to focus on the good things in life....food....and off to the markets so I don't completly starve!
Monday, April 6, 2009
Doings
Good grief....it's damned Toosday and I haven't had a blog for a week!
What with all the goings and comings, it's been hard I tell you.
First there was the hanging of the art at Jayes.......two funny artists Greg Hyde and Eris Fleming, 44 works to be hung and catalogued, whew! then it was the opening that I didn't (couldn't make) too busy lying on my back watching Vincent and Rebus, too tired to hold the remote even......
Here's a little vignette I put together that I endearingly call 'the village life'......reminds me of Molong!
Nice saying to put nearby, "It always good to live in a village because if you wake up in the morning and don't know what you're doing, you can always ask around!"
But a great show....the long painting is by Eris Fleming and is "The Village".....and 2 of Eris' sculptures depicting humanity!

Then there was the art class (Autumn Art School) for the ill-advised........but thye came in droves, painted and conquered the empty canvases in front of them, ate fabuluous country fare, talked too much, and drove off into the sunset satiated and tired.........I was completely farked by then.......back to the remote.......
and today is Mad Monday.........phone hasn't stopped, the flat has been like Pitt Street in a mid morning clearance sale day rush, people coming and going, more of them.........ah the world's gorn completely nuts!
Decided today that there is no economic downturn, only a media furphy to keep the slaves in serfdom.......my decidely small budget hasn't changed.......and managed to sell a painting on weekend to a rash of tourists.......it pays to be on the lookout.......
Sorry I didn't take any snaps to give you a gander at the rabid goings on in the bush....so you'll just have to guess or go and look at my friend Phil's website (lookaround.com.au) He's usually got the happy snaps thing going!
The bat phone is still ringing and someone's due in for dinner sometime tonite ....good grief it could be midnight before they make a show......ah well back to the remote!
Life goes on in downtown bush........
What with all the goings and comings, it's been hard I tell you.
First there was the hanging of the art at Jayes.......two funny artists Greg Hyde and Eris Fleming, 44 works to be hung and catalogued, whew! then it was the opening that I didn't (couldn't make) too busy lying on my back watching Vincent and Rebus, too tired to hold the remote even......
Here's a little vignette I put together that I endearingly call 'the village life'......reminds me of Molong!
Nice saying to put nearby, "It always good to live in a village because if you wake up in the morning and don't know what you're doing, you can always ask around!"
But a great show....the long painting is by Eris Fleming and is "The Village".....and 2 of Eris' sculptures depicting humanity!

Then there was the art class (Autumn Art School) for the ill-advised........but thye came in droves, painted and conquered the empty canvases in front of them, ate fabuluous country fare, talked too much, and drove off into the sunset satiated and tired.........I was completely farked by then.......back to the remote.......
and today is Mad Monday.........phone hasn't stopped, the flat has been like Pitt Street in a mid morning clearance sale day rush, people coming and going, more of them.........ah the world's gorn completely nuts!
Decided today that there is no economic downturn, only a media furphy to keep the slaves in serfdom.......my decidely small budget hasn't changed.......and managed to sell a painting on weekend to a rash of tourists.......it pays to be on the lookout.......
Sorry I didn't take any snaps to give you a gander at the rabid goings on in the bush....so you'll just have to guess or go and look at my friend Phil's website (lookaround.com.au) He's usually got the happy snaps thing going!
The bat phone is still ringing and someone's due in for dinner sometime tonite ....good grief it could be midnight before they make a show......ah well back to the remote!
Life goes on in downtown bush........
Sunday, March 29, 2009
Josephine Jagger-Manners New Art!
Well last night was a blast! Really! It was a fantastic night with probably 200 people all up! They were spilling out of the Chop Art Shop and all over the pavement in every direction......
The Chop Art Shop Directors, Nina and Tonya, looked very pleased and so they should.....everyone had a fabulous time....the wine from Borrodell was great (as usual!) 17 artists work adorned the walls and plinths, contemporary and new bouncing off the Victorian interior with energy.....
Dinner after at Tonic was good.....the company was better.....Aida is very funny....haha.... and her friend Robyn was a delight. The conversation hilarious as is usual for our lot. Libby and Hugh are always good value. A wandering young girl flashing her rather flat chest at us late in the evening through the window also helped to bring the table to a roaring finish! Noisiest table in the room and not for the faint of heart!
But today.....today we head off out to Molong for Josephine Jagger-Manners new works. This is her first show and is being held at ther home. Her interiors are very intricate and elicate and remind me a little of Grace Cossington-Smith. I think she will do very well with these. It should be another grand gathering and most of us are looking forward to Michael's art in catering....!
So if you're around this way, this is where you'll need to be today in Orange!
The Chop Art Shop Directors, Nina and Tonya, looked very pleased and so they should.....everyone had a fabulous time....the wine from Borrodell was great (as usual!) 17 artists work adorned the walls and plinths, contemporary and new bouncing off the Victorian interior with energy.....
Dinner after at Tonic was good.....the company was better.....Aida is very funny....haha.... and her friend Robyn was a delight. The conversation hilarious as is usual for our lot. Libby and Hugh are always good value. A wandering young girl flashing her rather flat chest at us late in the evening through the window also helped to bring the table to a roaring finish! Noisiest table in the room and not for the faint of heart!
But today.....today we head off out to Molong for Josephine Jagger-Manners new works. This is her first show and is being held at ther home. Her interiors are very intricate and elicate and remind me a little of Grace Cossington-Smith. I think she will do very well with these. It should be another grand gathering and most of us are looking forward to Michael's art in catering....!
So if you're around this way, this is where you'll need to be today in Orange!
Saturday, March 28, 2009
CHOP ART SHOP
Ah! Today's the day that Nina opens her new venture at Millthorpe, arty little village near where I live......it'll be a grand opening I am sure and we are looking forward to heading on out in our best pink and purple hair to commune with other arts bores over a vino etc So.....if you care to join us, please do at 6.30 at 25 Victoria St.Some smart names, Alan Sisley to open the show, always entertaining - all the right ingredients for a good feast!
later we'll head off to Tonic - that very smart restaurant up the road for fine wining and dining of the very best kind.......and arts talk!
Have updated my little online shop of prints etc this morning , added a few more images etc etc.....but my right hand is giving me grief! It has a little tendonitis at the moment....from too much work....yeah yeah I hear you say.....but it's true. Can't seem to pick anything up aaargh!
Maybe a new artform.....left handed paintings - been done before I know but new for me....anyway away! see you another day!
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