Arkaroola just continues to delight the senses!

Having just returned from my fourth trip to Arkaroola over 2 years, I am still delighted and inpired by that arid and ancient landscape. The sheer size of the outback continues to astound and overwhelm as it silently stands witness to all we do.

Paintings cannot express the feelings that collide within one's soul as the eyes get reddened and lined with tiredness at trying to take it all in. I realised this time just how many people travel through that country and come home feeling overwhelmed.

Flashes of ochre walls this time in unexpected places were found as now, this time, I am finally able to start to get down to the details. Found, three more ochre wall sites to explore for next time!

The wall glows under the gums, a hidden site, not much visited and not well known, and darned difficult to paint with any conviction. People cannot imagine that this exists but there it is.... it's quiet ethereal presence from over 500 million years ago - a testament to how beautiful the earth must have been at one time.

These colours would have made up the landscape long before they all became melded into one dull brown or grey. They would have shone on beaches and riverbeds, the sides of hills and mountains - a veritable Garden of Eden.

Now, all we have left in the landscape are a few wild arid places, wilderness areas and sanctuaries, looked over by daring and courageous guardians like the Spriggs of Arkaroola Wilderness Sanctuary. These are indeed sacred places but will we be strong enough and vigilant enough to protect them from the voracious appetites of a consumer culture. I certainly hope so.

The Inspiring Colours of Australia

Australia is a vast island continent that is made up of mostly desert although most people would not know it. The majority of the inhabitants cling to a small coastal fringe around the edges of the continent divided from the bush by long chains of mountain ranges so called the 'sandstone curtain". These dividing ranges not only divide the vastness of the land but also divide the country socially and economically in more ways than one despite what governments would tell you.

As I travel around Australia looking for inspiration for my artworks, I am reminded constantly of how an unwary population is allowing the countryside to be raped and pillaged by big companies. It scares me as I ponder the huge gaping wounds that mining makes, the wide and denuded soils of large agricultural consortiums, the dying and drying deforested hillsides and I wonder where it will end.

My early life on an orchard gave me a love of the land I live in and depend on, not only for food and work but also for inspiration to create my art works. The ways of caring for the land that I was brought up to were more closely connected with composting, planting of nitrogen giving plants between the rows, hand picking and pruning, working with the seasons and the cycles of drought and wet. These practices have largely been replaced by methods that for me, seem disconnected and ruinous. Monsanto and other large corporations do not have a holistic approach but instead use a broad brush that misses the defining moments that make up lives at a very personal level.

I worry for my grand children and what is being left for them but at the same time, I now see a new, young, vibrant and intelligent generation that ask the hard questions and who are taking on the bigger institutions and demanding to be heard. I cheer these leaders of the future on. New ways of lobbying in GetUp and Change.org are bringing about renewed hope for the future.

After 200 years of settlement, I see a new generation that at long last, regard Australia as their home as they embrace not only the mistakes of past generations, but build hope for a brighter future. In some small way, I trust that my environemental paintings will also bring about change and a rethinkng of politics and 'living WITH the LAND'.

 "Pittapunga Lake" (1.2 m x 1.2 m synthetic polymer on canvas) shows aerial mapping of land use in western NSW, the demands being made on failing river systems, the push into salt lake areas in an attempt to farm salt areas, the decimation of forested areas by clearing for even larger farms, the coal seam gas alongside large mines. Can we continue these unsustainable practises in a land that is largely desert? By the way, this area really exists except that the mine is my addition for now.....

The Joy and Life of being an Artist!

The Year of the Rabbit has left me quite exhausted! There has been so much change, hopping about and so much to do..... so many little ends to tie up, so many decisions to be made and so many new forces to be considered. This last year has left us all a little dazed and I find myself thinking what will the Year of the Dragon bring.

So I am starting early to consider the year ahead. With a very full month ahead of me and an important solo show next April at Aarwun Galleries, it is time I knuckled down to serious work in the studio.But whew! What a year and still some to come.

This morning I was driving, no....cruising along the highway in my comfortable car, looking out over the hills and valleys of this wonderful landscape I live in; abundant growth everywhere and warm sunshine after a week of non-stop rain. I noted that the rivers were full to the brim and wonderful puffy white clouds building up in the bluest of skies overhead. I am always happiest in my car, free as a bird listening to music and cruising the landscape. My heart sings! Or in my studio, paint everywhere.... love getting all messy and seeing what works with what.

I have just had lunch with my dear friend Karrin, wonder woman artist from Lightening Ridge and a true Ehulii woman spirit. She looked marvelous! You can find her art work on her website. We always enjoy sharing together the various stories of our respective lives. True friends are great treasures to be enjoyed while we can so these are special moments when we connect with our soul sisters.

We both are acutely aware of the damage being done to this sacred land we live in and we worry for the delicate deserts and waterways being disturbed by an ever increasing mining presence. It might be that Australia will be uninhabitable in time as awareness of being in touch with the land is eroding in the face of an increasing greed. It is another invasion happening - perhaps the last! I remarked to Karrin that lately it is the aboriginal people that are buying my artworks and not the European descendants. I feel that is a privilege and shows my connection to the land is being recognised by the original land owners. But with it, comes a responsibility: a responsibility to reach out and make others aware of the 'pain' the land is in.

I hope I am up to it. Still Canberra is the place where my next show will be so maybe, just maybe I can make a small contribution to raising consciousness. I certainly hope so! So look out for "LAND /MARKS" in April!

"LAND /MARKS - abandoned" Mixed Media on Paper 52 cmx 70 cm

This painting depicts an abandoned homestead block in the western desert.Man has tried for over 200 years now to conquer the inland of Australia but marks such as these home sites left long ago show the harshness of a desert that we still have not learned to live with.

Recent ramblings.....

Winter is here and it's so gloomy looking at blue that I decided to do something a bit brighter and warmer for my blog background....makes me want to paint!

Recent days in the studio have seen me exploring hotter and hotter drier landscapes as the cold of an Orange winter sets in! Seems a bit weird calling it an Orange winter but that's what it is......winter in the town of Orange! My desire to travel west into warmer climes always drives me crazy at this time of year and this year, my car broke down delaying the outback trek that I love so much......what to do? I think I'll take a few smaller trips....next week off to Forbes though for a workshop and it's always warmer and drier out there! Maybe I'll just keep driving west.....hmm now that's a thought!

More here

So for a little preview of what I'm painting, here's a sample! I'd love to say it's the finished image but the finished works has a few more marks on it.

And another inspired by Lake Eyre, currently in flood for the second year around.....

 

I've been asked a couple of times lately how I would describe myself as a painter. One person felt I was an impressionist, which is a description I rather like but no sure it fits. The second person told me they had been told by their art teacher that I was a landscape painter which isn't a good description either.

So for the record, I personally describe myself as a contemporary landscape painter. My works are done from 'memory' of landscape, and are not actual places. If they have a place name with them, it is for reference purposes only and to let you know where I was when I gathered the 'feelings of place' that I paint. I prefer to paint 'memories', 'sensations' 'form' 'marks' 'patterns' that come from being in a 'particular place' at a 'particular time' such as sunset and sunrise, my favourite times of day as the gods change over their influence....

My interest lies in the abstract nature of the earth and her patterns, the marks that we all leave behind as we try to change this place and make it bend to our rules, mostly with dire outcomes. I love the terra forming patterns of farmlands especially from above and my works are increasingly becoming aerial landscape patterns.

My palette is drawn from the iron rich soils of Oz, the deep red soils of our outback and the fabulous blue skies above, reflected on the earth and waterways.

I've added a share button so you can share this blog with your friends! Take care through the winter cold months and keep warm! See you out back!

Early Morning Australia

I don't know why but I just had to get out of bed at sparrow's fart this morning and head off for a walk/stumble in the bush. Of course, my fave spot of the moment is Gosling Creek. So off I went.

I think it was the fact that for the first time in a while, we had clouds in the sky, a promise maybe of rain but certainly of a colourful sunrise. Clean crisp and cool air.....not to be wasted I felt! The recent heat has made me very thankful for the early breeze of morning.

And there's always the beauty of watching nature paint the early morning sky.....that blend of colours, that big soft water colour, an amazing thing to watch and for me, it had been too long since I had gone out and appreciate the sunrise and bird songs.

And there's the other thing, nature painting the trees as the sun rises, the way the light captures the beauty of the branches and the eternal clear light of Australia. It's a beautiful place, inspiring and ancient.

Although out of focus, an effect I rather like as it reminds me of a soft water colour work, the light and colours of the early morning amongst our trees is always wonderful to catch.

Well, this week has seen the last of the paintings for my next show at Jayes and I am glad to be able to rest again at last. The year ahead is quite daunting with 6 shows, 2 of them overseas and 2 in major cities......it'll be a big year! As well, I am hoping to catch a trip outback......whew!

But bring it on! One day at a time and I'll be there!

Hope you have a great day painting and being inspired. Do stop and smell the roses or at least take a break and look out at the world in wonder.

"The Eye of the Eagle"

 "Gorge and engorged" 68 cm x 48 cm Mixed Media on D'Arches

This recent month has seen me hard at work in my studio imagining flying over the deserts of Central Australia as an eagle and then putting this down on paper. I was amazed whilst reading up on eagles and how they see, to learn that they have pentachromatic vision (we have tetrachromatic). Eagles can see ultraviolet and infrared colours - so Wow!

Pondering the complexity of this, I felt that they saw far more brightly than we did and so I pushed a few colours round in Photoshop to see what effects I could get. All this dreaming and fiddling around has led to very colourful exhibition indeed. At first I found it too much but as I settled into it, the paintings burned into my soul and I now feel quite at home with them and their intense colours.

Why eagles and why now? Firstly, recent heatwaves have crossed the country leaving it bare and exposed, dry and parched. Daily reminders of the planet getting hotter, have left me wondering once again about Climate Change; is it real, why does it happen and what does it mean?

I don't have answers to this although I find it extraordinarily fascinating......like most of us I believe.

Australia is the driest and harshest continent on the planet with the most ancient and exposed soils. Millions of years have passed and former mountains have eroded down into floodplains and deserts. These cover over 90 % of Australia. The colours when viewed from a plane, are bright reds, oranges and yellows with tracks and dry river beds crisscrossing the land.

Secondly, I feel, if we could read the land, if we could understand the patterns and their meanings, then just maybe we could learn to live with the earth successfully. We could stop building cities on fertile lands and fields, we could build for temperature and climate changes, we could do things better. It's true we've survived for almost 5 million years but the recent upswing in our skills has hurt the planet more than ever before and now we worry about our own survival as a species for probably the first time ever in our history.

I have painted these paintings from a deep part of myself that yearns for a greener place, a safer place but at the same time is amazed and drawn to the wondrous colours of the earth.

Australia may be the oldest and most exposed place right now, but believe me, it's where other countries are headed over the next few thousands of years as the glaciers dry up and and the mountains erode down to floodplains and deserts. Look at this place, Australia and learn for this is where you are headed. It is not a country that can sustain many more people than it currently does......it is not the lucky country it once was.......and we will need to move whole towns and populations as the heat increases and the desert continues to grow ever larger.

There is no doubt in my mind that human activity here in this 'sacred' place has exacerbated the rate of desertification. The ripping out of whole forests, the ploughing and chemical spraying of large tracks of land, the channeling of water away from floodplains and marshlands continues today despite the warnings written already in our land and able to be seen by the eagles looking for their old hunting grounds.

Try looking at the earth through 'the eye of the eagle'!

The exhibition can be seen at Jayes Gallery in Molong NSW from 5 February to 7 March or online closer to that date.

Romy Tysoe-Taylor Exhibition

Well, last night, yours truly was once again invited to open an excellent exhibition. The cold weather has closed in now and today as I sit here with the temperature dropping, I think back on what was a wonderful evening.


Romy is truly an extraordinary painter. Her favourite subject is nudes, and nude they are; bright, colourful, strong lines and explicit. They draw you into their private worlds as they sit there on the canvas with no shyness or cover. From the first time I saw Romy's work over 10 years ago now, I have always loved her freedom of painting the human body with such abandon.

It certainly was a joyful evening, with many others in attendance...... a good country supper as always and plenty of local wines to help the evening along.

I noticed the red dots appearing as I was leaving and saw Romy beaming at what is a successful first solo show. Romy has 10 years of solid instruction in the arts from Seaforth TAFE (4 years) and a further 4 years at CoFA leaving with a Masters in the early 90's. A seasoned and well developed painter who can hold her own.

You can visit Romy in her studio, Mandagery Art Studio, Broad Street, Eugowra if you have missed the show!