The Inspiring Colours of Australia

Australia is a vast island continent that is made up of mostly desert although most people would not know it. The majority of the inhabitants cling to a small coastal fringe around the edges of the continent divided from the bush by long chains of mountain ranges so called the 'sandstone curtain". These dividing ranges not only divide the vastness of the land but also divide the country socially and economically in more ways than one despite what governments would tell you.

As I travel around Australia looking for inspiration for my artworks, I am reminded constantly of how an unwary population is allowing the countryside to be raped and pillaged by big companies. It scares me as I ponder the huge gaping wounds that mining makes, the wide and denuded soils of large agricultural consortiums, the dying and drying deforested hillsides and I wonder where it will end.

My early life on an orchard gave me a love of the land I live in and depend on, not only for food and work but also for inspiration to create my art works. The ways of caring for the land that I was brought up to were more closely connected with composting, planting of nitrogen giving plants between the rows, hand picking and pruning, working with the seasons and the cycles of drought and wet. These practices have largely been replaced by methods that for me, seem disconnected and ruinous. Monsanto and other large corporations do not have a holistic approach but instead use a broad brush that misses the defining moments that make up lives at a very personal level.

I worry for my grand children and what is being left for them but at the same time, I now see a new, young, vibrant and intelligent generation that ask the hard questions and who are taking on the bigger institutions and demanding to be heard. I cheer these leaders of the future on. New ways of lobbying in GetUp and Change.org are bringing about renewed hope for the future.

After 200 years of settlement, I see a new generation that at long last, regard Australia as their home as they embrace not only the mistakes of past generations, but build hope for a brighter future. In some small way, I trust that my environemental paintings will also bring about change and a rethinkng of politics and 'living WITH the LAND'.

 "Pittapunga Lake" (1.2 m x 1.2 m synthetic polymer on canvas) shows aerial mapping of land use in western NSW, the demands being made on failing river systems, the push into salt lake areas in an attempt to farm salt areas, the decimation of forested areas by clearing for even larger farms, the coal seam gas alongside large mines. Can we continue these unsustainable practises in a land that is largely desert? By the way, this area really exists except that the mine is my addition for now.....

The Yin and Yang of the Art World

Do landscapes sell? Are art buyers/lovers really interested in the landscape?

It's amazing every day, no matter where or what I go or do, I find people with differing points of view especially about the art world. I guess, really, everyone's experience is so different, so diverse, that we each have to make up our own mind in the long run.

So just thinking it through today, I realise that in my life I have over 700 paintings of the landscape hanging on people's walls and in their offices all over Australia, the US, China, Japan and various other countries throughout the world. My lifetime has been spent pursuing the essence of landscape through colour, shape, intricacy, abstraction and a variety of techniques and materials. Just this week, I have completed several pieces both large and small, and as I view my studio, there's not much in stock..... so the landscape must still be a winner for many collectors - at least in my experience!

So what do you think? Here's my latest work titled "The Ancient Ones" inspired by the many ancient rocks that continue to erode out into the Australian landscape wherever you go..... they can be found in all sorts of places but it's the remote ones I love the best! In an arid landscape, there's nothing quite like coming across a pile of massive boulders! They provide shade, colour and form, beautiful washes of colour, and they 'talk' to you! They tell the story of our fabulous place - our home - Australia!

When I look, I see maybe a couple of female figures laying in repose, maybe discussing 'life' as time passes by..... what do you see?

More on my website!

It doesn't matter what you paint, just continue to follow your heart, eyes and soul and keep painting - "Let it flow and let it go!" (Joy Warren of Solander Gallery in 2011) Thank you Joy for that timely advice. I needed to hear it then and I keep repeating it to myself each day.....

Have a happy painting day and remember, even when sales are slow, it's time to catch up on all those images that are waiting dormant waiting to be born!

The Joy and Life of being an Artist!

The Year of the Rabbit has left me quite exhausted! There has been so much change, hopping about and so much to do..... so many little ends to tie up, so many decisions to be made and so many new forces to be considered. This last year has left us all a little dazed and I find myself thinking what will the Year of the Dragon bring.

So I am starting early to consider the year ahead. With a very full month ahead of me and an important solo show next April at Aarwun Galleries, it is time I knuckled down to serious work in the studio.But whew! What a year and still some to come.

This morning I was driving, no....cruising along the highway in my comfortable car, looking out over the hills and valleys of this wonderful landscape I live in; abundant growth everywhere and warm sunshine after a week of non-stop rain. I noted that the rivers were full to the brim and wonderful puffy white clouds building up in the bluest of skies overhead. I am always happiest in my car, free as a bird listening to music and cruising the landscape. My heart sings! Or in my studio, paint everywhere.... love getting all messy and seeing what works with what.

I have just had lunch with my dear friend Karrin, wonder woman artist from Lightening Ridge and a true Ehulii woman spirit. She looked marvelous! You can find her art work on her website. We always enjoy sharing together the various stories of our respective lives. True friends are great treasures to be enjoyed while we can so these are special moments when we connect with our soul sisters.

We both are acutely aware of the damage being done to this sacred land we live in and we worry for the delicate deserts and waterways being disturbed by an ever increasing mining presence. It might be that Australia will be uninhabitable in time as awareness of being in touch with the land is eroding in the face of an increasing greed. It is another invasion happening - perhaps the last! I remarked to Karrin that lately it is the aboriginal people that are buying my artworks and not the European descendants. I feel that is a privilege and shows my connection to the land is being recognised by the original land owners. But with it, comes a responsibility: a responsibility to reach out and make others aware of the 'pain' the land is in.

I hope I am up to it. Still Canberra is the place where my next show will be so maybe, just maybe I can make a small contribution to raising consciousness. I certainly hope so! So look out for "LAND /MARKS" in April!

"LAND /MARKS - abandoned" Mixed Media on Paper 52 cmx 70 cm

This painting depicts an abandoned homestead block in the western desert.Man has tried for over 200 years now to conquer the inland of Australia but marks such as these home sites left long ago show the harshness of a desert that we still have not learned to live with.

Recent ramblings.....

Winter is here and it's so gloomy looking at blue that I decided to do something a bit brighter and warmer for my blog background....makes me want to paint!

Recent days in the studio have seen me exploring hotter and hotter drier landscapes as the cold of an Orange winter sets in! Seems a bit weird calling it an Orange winter but that's what it is......winter in the town of Orange! My desire to travel west into warmer climes always drives me crazy at this time of year and this year, my car broke down delaying the outback trek that I love so much......what to do? I think I'll take a few smaller trips....next week off to Forbes though for a workshop and it's always warmer and drier out there! Maybe I'll just keep driving west.....hmm now that's a thought!

More here

So for a little preview of what I'm painting, here's a sample! I'd love to say it's the finished image but the finished works has a few more marks on it.

And another inspired by Lake Eyre, currently in flood for the second year around.....

 

I've been asked a couple of times lately how I would describe myself as a painter. One person felt I was an impressionist, which is a description I rather like but no sure it fits. The second person told me they had been told by their art teacher that I was a landscape painter which isn't a good description either.

So for the record, I personally describe myself as a contemporary landscape painter. My works are done from 'memory' of landscape, and are not actual places. If they have a place name with them, it is for reference purposes only and to let you know where I was when I gathered the 'feelings of place' that I paint. I prefer to paint 'memories', 'sensations' 'form' 'marks' 'patterns' that come from being in a 'particular place' at a 'particular time' such as sunset and sunrise, my favourite times of day as the gods change over their influence....

My interest lies in the abstract nature of the earth and her patterns, the marks that we all leave behind as we try to change this place and make it bend to our rules, mostly with dire outcomes. I love the terra forming patterns of farmlands especially from above and my works are increasingly becoming aerial landscape patterns.

My palette is drawn from the iron rich soils of Oz, the deep red soils of our outback and the fabulous blue skies above, reflected on the earth and waterways.

I've added a share button so you can share this blog with your friends! Take care through the winter cold months and keep warm! See you out back!

"The Eye of the Eagle"

 "Gorge and engorged" 68 cm x 48 cm Mixed Media on D'Arches

This recent month has seen me hard at work in my studio imagining flying over the deserts of Central Australia as an eagle and then putting this down on paper. I was amazed whilst reading up on eagles and how they see, to learn that they have pentachromatic vision (we have tetrachromatic). Eagles can see ultraviolet and infrared colours - so Wow!

Pondering the complexity of this, I felt that they saw far more brightly than we did and so I pushed a few colours round in Photoshop to see what effects I could get. All this dreaming and fiddling around has led to very colourful exhibition indeed. At first I found it too much but as I settled into it, the paintings burned into my soul and I now feel quite at home with them and their intense colours.

Why eagles and why now? Firstly, recent heatwaves have crossed the country leaving it bare and exposed, dry and parched. Daily reminders of the planet getting hotter, have left me wondering once again about Climate Change; is it real, why does it happen and what does it mean?

I don't have answers to this although I find it extraordinarily fascinating......like most of us I believe.

Australia is the driest and harshest continent on the planet with the most ancient and exposed soils. Millions of years have passed and former mountains have eroded down into floodplains and deserts. These cover over 90 % of Australia. The colours when viewed from a plane, are bright reds, oranges and yellows with tracks and dry river beds crisscrossing the land.

Secondly, I feel, if we could read the land, if we could understand the patterns and their meanings, then just maybe we could learn to live with the earth successfully. We could stop building cities on fertile lands and fields, we could build for temperature and climate changes, we could do things better. It's true we've survived for almost 5 million years but the recent upswing in our skills has hurt the planet more than ever before and now we worry about our own survival as a species for probably the first time ever in our history.

I have painted these paintings from a deep part of myself that yearns for a greener place, a safer place but at the same time is amazed and drawn to the wondrous colours of the earth.

Australia may be the oldest and most exposed place right now, but believe me, it's where other countries are headed over the next few thousands of years as the glaciers dry up and and the mountains erode down to floodplains and deserts. Look at this place, Australia and learn for this is where you are headed. It is not a country that can sustain many more people than it currently does......it is not the lucky country it once was.......and we will need to move whole towns and populations as the heat increases and the desert continues to grow ever larger.

There is no doubt in my mind that human activity here in this 'sacred' place has exacerbated the rate of desertification. The ripping out of whole forests, the ploughing and chemical spraying of large tracks of land, the channeling of water away from floodplains and marshlands continues today despite the warnings written already in our land and able to be seen by the eagles looking for their old hunting grounds.

Try looking at the earth through 'the eye of the eagle'!

The exhibition can be seen at Jayes Gallery in Molong NSW from 5 February to 7 March or online closer to that date.